On the edge of consciousness, Peter reaches for something familiar: a voice, a face, a reason to keep going.
But certainty slips away. A deserted town conceals an impossible hunger. Survivors move through the ruins of a poisoned world. In a society that controls even its citizens’ dreams, waking up can be dangerous.
Through shifting lives and recurring faces, love offers an anchor, and fear finds a way in. The need to survive can become a need to escape. The person Peter trusts least may be himself.
The End moves between psychological horror and speculative nightmare, tracing the fragile boundaries between love and possession, dependency and desire, life and whatever comes next.